BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Cambridge Russian-Speaking Society - ECPv5.16.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Cambridge Russian-Speaking Society
X-ORIGINAL-URL:https://camruss.com/en
X-WR-CALDESC:Events for Cambridge Russian-Speaking Society
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20261025T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261013T183000
DTEND;TZID=Europe/London:20261013T203000
DTSTAMP:20261004T084433
CREATED:20260913T211537Z
LAST-MODIFIED:20260915T110322Z
UID:12793-1791916200-1791923400@camruss.com
SUMMARY:[:en]An Evening with Poet Yulia Mamocheva (in Russian)[:ru]Творческий вечер поэта Юлии Мамочевой (на русском языке)[:]
DESCRIPTION:Book cover: Yulia Mamocheva\, Neuyazvimost [Invincibility]\, Moscow: U Nikitskikh Vorot\, 2023. On Amazon Kindle  \nAt the invitation of CamRuSS\, acclaimed Russian poet Yulia Mamocheva will give an online Poetry Evening.\nListeners around the world describe her work as poetry of strength and light. Her poems explore both the eternal and the everyday — the power of love\, immortality\, small miracles in ordinary life\, and the triumph of beauty. Her performances are known for their emotional intensity and for leaving audiences feeling uplifted and renewed. \n  \nWhen: Tuesday 13 October 2026\, 18:30-20:30 (BST)\nFormat: Online via Zoom\nLanguage: Poetry in Russian\, with Q&A in both Russian and English\nTickets: £6 – Standard (Zoom recording included)\, Free – for CamRuSS members (Zoom recording included)\nPlease book via AllEvents \nThe play “Warriors of Light\,” ROSTA Theatre\, 4 March 2026. Photo courtesy of Yulia Mamocheva \nYulia Mamocheva is a Russian poet\, author of nine poetry collections\, founder of her own poetry school\, and director of the international educational project School of the Magic of Words.\nBy the age of 32\, she had already been described by the celebrated Sixties-generation poet Andrei Dementyev as “a poet in love with beauty”\, while poet Dmitry Bykov jokingly called her “a terror flying on the wings of night.”\nShe is a laureate of the Bunin Prize (2012\, “Discovery of the Year” category). Over the years\, she has performed in dozens of cities around the world and won the hearts of hundreds of thousands of readers.\nHer poetry concerts and theatrical performances have taken her from Berlin to the Russian Arctic. She has appeared at the Taganka Theatre\, the Moscow Art Theatre\, ROSTA Theatre\, and the Alexandrinsky Theatre.\nRecordings of Mamocheva’s poems\, performed both by Yulia herself and by well-known actors\, have attracted hundreds of thousands of views online\, while each of her live performances is known for creating a powerful emotional response. \nFind out more about Yulia Mamocheva:\nInstagram: julia_mamochevaYouTube: Yulia Mamocheva’s channelPoetry collection Invincibility: Amazon KindleInterview with Nashe Radio\, 2025 \n 
URL:https://camruss.com/en/events/an-evening-with-poet-yulia-mamocheva-in-russian/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261027T183000
DTEND;TZID=Europe/London:20261027T200000
DTSTAMP:20261004T084433
CREATED:20260911T121334Z
LAST-MODIFIED:20260914T231050Z
UID:12775-1793125800-1793131200@camruss.com
SUMMARY:[:en]"What Are Early Russian Popular Prints About?"\, a talk by Dr Julia Khodko[:ru]«О чём рассказывают ранние русские лубки?»\, лекция Др Юлии Ходько[:]
DESCRIPTION:Russian lubok prints\, produced from the 17th to the early 20th century\, may at first appear simple and straightforward. Yet their seemingly obvious—even naïve—imagery often conceals deeper meanings that were readily understood by contemporaries but can seem obscure to us today.\nBefore venturing into the terra incognita of lubok subjects\, we will consider some essential questions: How were these prints made? Who created them? What were they used for\, and who bought them? What themes and subjects did they typically depict?\nFinally\, we will examine a selection of early popular prints and discover that their subjects are not always as simple—or as innocent—as they might appear. Over time\, some of these images have even lost their original meanings entirely. \nThe lubok from the late 17th – early 18th century. Baba Yaga and a Bald Old Man Dancing. Woodcut. \nWhen: Tuesday 27 October 2026\, 18:30-20:00 (GMT)\nFormat: Online via Zoom\nLanguage: English\nTickets: £6 – Standard (Zoom  recording included)\, free – CamRuSS Members\nPlease book via AllEvents \n  \n  \n  \nDr Julia Khodko \nDr Julia Khodko is an Assistant Professor in Art History\, based at the School of Arts and Cultural Heritage at the European University at St Petersburg\, Russia. She was a Visiting Fellow at Magdalene College\, Cambridge\, during Easter Term 2026.\nHer doctoral thesis examined the evolution of the usage\, techniques\, and iconography of intaglio prints in Moscow Cyrillic books of the 1700–1730s.\nFor more than thirty years\, she worked with Russian prints at the Print Department of the Russian Museum in St Petersburg\, where she produced numerous scholarly publications and curated museum exhibitions devoted to eighteenth-century engravings\, accompanied by comprehensive catalogues.\nHer research focuses on visual culture in Early Modern Europe\, with particular attention to cross-European contacts in the culture of printmaking during the ‘long eighteenth century’. Recent studies examine the transmission of images and figurative ideas from Europe to Russia through printed media\, with particular emphasis on popular prints and devotional engravings. She has a further interest in investigating the process of the liberalization of engraving within European Academies of Arts in the seventeenth and eighteenth centuries\, focusing on models adopted by the Imperial Academy of Arts in Russia.\nIn addition\, she studies models of political representation in printed imagery during the reigns of Peter I and Catherine II of Russia and their European origins. She has presented the results of her projects at conferences held at the University of Cambridge\, at the Jordan Center for the Advanced Study of Russia (USA)\, the Study Group on Eighteenth-Century Russia (UK).  At the European University at St Petersburg\, she teaches the course “Russian Printmaking in the Eighteenth Century: Intercultural Transfer of Images and Ideas between Europe and Russia”.
URL:https://camruss.com/en/events/what-are-early-russian-popular-prints-about-a-talk-by-dr-julia-khodko/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261106T183000
DTEND;TZID=Europe/London:20261106T200000
DTSTAMP:20261004T084433
CREATED:20260722T210555Z
LAST-MODIFIED:20260918T210623Z
UID:12747-1793989800-1793995200@camruss.com
SUMMARY:[:en]“Rachmaninoff and the Myth of Exile”\, a talk by Prof Marina Frolova-Walker[:ru]«Рахманинов и Миф об Изгнании» — Лекция Профессора Марины Фроловой-Уокер[:]
DESCRIPTION:Sergei Vasilievich Rachmaninoff (1873-1943)\, between ca. 1915 and ca. 1920. Bain News Service photograph collection  \nSergei Rachmaninoff’s music is often considered nostalgic\, prompted by his long separation from his Russian homeland (the last twenty-five years of his life). But most of his music was written while he still lived in Russia\, and many listeners and critics even carry the nostalgia over to this music\, as if he pined for home when he was still at home. This lecture aims to disentangle the circumstances of his exile (first in Europe\, then the US) from the things that he tried to express or depict in his music. Even though he was quite reticent in this area\, we have enough information to reconstruct the ideas and images that inspired him. We will focus on Rachmaninoff’s symphonies\, his concertos\, and a selection of his solo piano music. We will also try to find the features of his musical scores that prompt us to hear nostalgia\, or even cause us to shiver. \nWhen: Friday 6 November 2026\, 18:30-20:00 (GMT)\nWhere: Winstanley Lecture Theatre\, Trinity College\, Cambridge CB2 1TQ (Entrance via St John’s Street\, opposite Trinity College’s main gate)\nLanguage: English\nFormat: In-person & Online via Zoom\nIn-person tickets: £12 — Standard; £8 — CamRuSS Members\nZoom tickets: £6 – Standard\, free – CamRuSS Members\nPlease book via AllEvents \nMarina Frolova-Walker \nMarina Frolova-Walker is Professor of Music History at the University of Cambridge and Fellow of Clare College\, Cambridge\, where she is Director of Studies in Music. She is also currently Professor of Music at Gresham College\, London. \nOne of the world’s leading authorities on Russian music\, Professor Frolova-Walker has introduced international audiences not only to new repertories\, but also to new ways of thinking about established works. Elected a Fellow of the British Academy in 2014\, and the recipient of the RMA Dent Medal for her outstanding contribution to musicology\, Professor Frolova-Walker is committed to sharing the insights gained from her research with a wider public\, through talks\, radio and TV appearances\, and publications. \nMarina’s  personal website brings together video\, audio\, and text resources presenting her research and public engagement. \n 
URL:https://camruss.com/en/events/rachmaninov-and-the-myth-of-exile-a-talk-by-prof-marina-frolova-walker/
LOCATION:Winstanley Lecture Theatre\, Trinity College\, Trinity Street\, Cambridge\, CB2 1TQ\, United Kingdom
CATEGORIES:Art/History,Culture,Meeting,Music,Online talk,Politics,Talk
END:VEVENT
END:VCALENDAR